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Éliane Radigue
Éliane Radigue (born January 24, 1932) is a French electronic music composer. She began working in the 1950s and her first compositions were presented in the late 1960s. Until 2000 her work was almost exclusively created on a single synthesizer, the ARP 2500 modular system and tape. Since 2001 she has composed mainly for acoustic instruments.〔Joanna Demers ''Listening through the Noise: The Aesthetics of Experimental ...'' 2010, p. 94: "The work of Éliane Radigue quickly puts to rest suspicions that all drones sound like Young's. Radigue is a French electronic-music composer who studied with Schaeffer and Pierre Henry in the 1950s before trading musique concrète for a ..."〕
==Biography==
Radigue was born in a modest family of merchants and raised in Paris at Les Halles. She later married the French-born American artist Arman with whom she lived in Nice while raising their three children, before returning to Paris in 1967. She had studied piano and was already composing before hearing a broadcast by the founder of musique concrète Pierre Schaeffer. She soon met him, and in the early 50s and became his student, working periodically at the Studio d'Essai during visits to Paris. In the early 1960s, she was assistant to Pierre Henry, creating some of the sounds which appeared in his works. As her own work matured, Schaeffer and Henry felt that her use of microphone feedback and long tape loops was moving away from their ideals, though her singular practice was still related to their methods.
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